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Signed in as:
filler@godaddy.com
Morning coffee in fragments of place of memory • 2019-2024 • acrylic painting on canvas board, framed • 20" x 24"
exhibited:
a fervent and necessary arrangement • Midwest Nice Art • 2025 • online exhibition
62nd Mid-States Art Exhibition • Evansville Museum • 2024-25 • Evansville, IN
Emerging Artists Show • John Waldron Arts Center • 2024 • Bloomington, IN
Nostalgia is a tricky subject. Nostalgic sentiments and fads are often problematic––commodified, sold, and weaponized by politicians and influencers promising the return to a utopia that never was. The theme is ripe for critique, and rightfully so.
I had the impulse to start this series in response to learning of 'tempusur'. The term was introduced by Amanda Montell (The Age of Magical Overthinking, 2024) in response to John Koenig’s naming of unnamed emotions in The Dictionary of Obscure Sorrows (2021). Tempusur rests under the 'nostalgia' umbrella, referring to the pang of acknowledging that a moment is slipping away in real time. Tempusur occurs as we appreciate that our experience is temporary. Tempusur is nostalgia for the present, or however we perceive the 'present' to exist. (The 'present' is a slippery concept.)
Nostalgia for remembered times––to relish in the joy or gawk at the absurdity of an experienced past––can operate as a mode of self-soothing. I have taken to noticing moments when nostalgia creeps in to offer a welcomed escape. I notice when I am nostalgic, I am available for introspective learning. Sharing nostalgia with another provides opportunity to more deeply connect or find common ground.
This series is as much about nostalgias (past and present) as it is simply about the way light touches everyday moments. Light, like time, is fleeting. I am delighted by the playful nature of light as it casts shadows and reflections that may or may not exist in the same way again.
Along the Way • 2023 • acrylic painting on raw duck canvas • 14' x 7' (168" x 84")
March 2025 • digital photograph • Beanblossom Bottoms
I am no serious photographer, though I am a whimsical observer. I carry a tiny computer in my pocket.
Allyn Boley grew up in San Diego, California, where they earned bachelor’s degrees in Studio Art and Psychology from San Diego State University. After pursuing various creative projects throughout the San Francisco Bay Area and Portland, Oregon, Allyn moved to Indiana during the summer of 2020. They established their Bloomington studio in May of 2023 and received grant funding from the City of Bloomington Arts Commission to support their practice in 2024 and 2025. Though primarily a painter, Allyn works in a variety of drawing and painting media. They began extensive private studio training at a very young age and have experience teaching the foundations of drawing and painting to folks aged 4 and up.
Nashville, Indiana
a regional showcase highlighting LGBTQ+ voices; up to 10 artists will be invited to tour the Kinsey Institute's historic art archive and ask...
Nashville, Indiana
Evanston, Illinois
solo exhibition of work from the Shadows series, with a reception on Jun. 14, 2025
Evanston, Illinois
online
regional group exhibition juried by André Ramos-Woodard
online
Muncie, Indiana
group exhibition showcasing professional artists in Indiana
Muncie, Indiana
Bloomington, Indiana
solo exhibition of Slug & Spike designs in the Main Atrium, with an opening reception during Gallery Walk on Feb. 7, 2025
Bloomington, Indiana
Bloomington, Indiana
• Sept. 14, 2024 on Kirkwood Avenue
• vending hand-drawn prints excerpted from Slug & Spike
Indianapolis, Indiana
• hosted by the Indy Gay Market on Apr. 27, 2024 at the AMP @ 16 Tech
• vending hand-drawn prints excerpted from Slug & Spike
Indianapolis, Indiana
• hosted by the Indy Gay Market on Feb. 10, 2024 at the AMP @ 16 Tech
• vending hand-drawn prints excerpted from Slug & Spike
all work is for sale unless otherwise indicated
price lists are available upon request
115 North College Avenue, Suite 260, Bloomington, Indiana 47404, United States
copyright © 2025 Art by Allyn - all rights reserved (so long as we have them—eep)